The Copy Book

The Six Leaps of Faith

The eighth-century English bishop and poet Cynewulf explores a prophecy from the Song of Solomon.

Freely translated from the Old English
AD 800
In the Time of

Anglo-Saxon Britain 410-1066

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The Six Leaps of Faith

© Timst, Wikimedia Commons. Licence: CC BY-SA 3.0. Source
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‘Behold, he cometh leaping upon the mountains, skipping upon the hills.’ Red Tarn and Swirral Edge from the summit of Helvellyn in Cumbria’s Lake District. The body of water in the distance is Ullswater.

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© Timst, Wikimedia Commons. Licence: CC BY-SA 3.0.

‘Behold, he cometh leaping upon the mountains, skipping upon the hills.’ Red Tarn and Swirral Edge from the summit of Helvellyn in Cumbria’s Lake District. The body of water in the distance is Ullswater.

Introduction

In these lines from ‘Christ’ by Cynewulf (possibly the 8th century bishop Cynewulf of Lindisfarne), the poet reflects upon some beautiful words from the Song of Solomon, which he understands as a prophecy of Jesus Christ.

‘The voice of my beloved! behold,
he cometh leaping upon the mountains,
skipping upon the hills.’

Song of Solomon 2:8

WHEN first he leapt, he lighted on a woman, an untouched maid; and human form he took there (though without sin) that he might be Comforter to all that dwell on earth.* The next leap was a baby’s birth when, wound about with swaddling bands, the Glory of all glories lay in a manger, wearing the form of a little child. The third leap was the King of Heaven’s headlong race to the Cross; and there the Father’s Spirit of comfort lighted.*

The fourth took him into the Tomb, leaving the Tree behind for that earthen fastness. It was the fifth leap when he humbled the multitude in hell’s torment, and bound their king, the devils’ Accuser, with fiery fetters within;* he lies there yet, a mind full of malice, held fast in prison’s chains, shackled by his sins. The sixth leap was the dance of the Holy One when he lighted upon heaven, his everlasting home; in that holy hour the angel host was blithe with happy laughter.

Freely translated from the Old English

Freely translated from the Old English of ‘Christ’, by Cynewulf. For a literal translation, see Anglo-Saxon Poetry.

See John 14:16-17. ‘Comforter’ or Paraclete is a courtroom role akin to a defence attorney, an idea which St John uses extensively to create a picture of a courtroom drama in which the devil thinks he is prosecuting Christ and his Apostles (witnesses), but in fact is himself in the dock and about to be sentenced.

See again John 14:16-17. We associate ‘Comforter’ or Paraclete with the Holy Spirit but Christ refers to him as ‘another Comforter’, to be granted to the Apostles after he himself, the first Comforter, has been taken away.

See Revelation 12:10. ‘Accuser’ equates to counsel for the prosecution. The Old English here is ‘foresprecan’, a spokesman or advocate.

Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate his ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

Précis

Taking a text from the Song of Solomon as his inspiration, Anglo-Saxon poet Cynewulf saw mankind’s salvation in terms of six ‘leaps’ by Jesus Christ, from his birth from a virgin and cradling in a manger through to his crucifixion and burial, the harrowing of hell, and finally his ascension into heaven. (52 / 60 words)

Taking a text from the Song of Solomon as his inspiration, Anglo-Saxon poet Cynewulf saw mankind’s salvation in terms of six ‘leaps’ by Jesus Christ, from his birth from a virgin and cradling in a manger through to his crucifixion and burial, the harrowing of hell, and finally his ascension into heaven.

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Variations: 1.increase the length of this precis to exactly 55 words. 2.reduce the length of this precis to exactly 45 words. 3.introduce one of the following words into the precis: although, because, besides, if, may, must, not, whether.

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Word Games

Sevens Based on this passage

Suggest answers to this question. See if you can limit one answer to exactly seven words.

What was the second ‘leap’ in Cynewulf’s list?

Variations: 1.expand your answer to exactly fourteen words. 2.expand your answer further, to exactly twenty-one words. 3.include one of the following words in your answer: if, but, despite, because, (al)though, unless.

Jigsaws Based on this passage

Express the ideas below in a single sentence, using different words as much as possible. Do not be satisfied with the first answer you think of; think of several, and choose the best.

Cynewulf found a passage in the Song of Solomon. He believed it referred to Jesus Christ.

Spinners Find in Think and Speak

For each group of words, compose a sentence that uses all three. You can use any form of the word: for example, cat → cats, go → went, or quick → quickly, though neigh → neighbour is stretching it a bit.

This exercise uses words found in the accompanying passage.

1 Behold. Human. Humble.

2 Headlong. Leave. Next.

3 Beloved. First. Hell.

Variations: 1. include direct and indirect speech 2. include one or more of these words: although, because, despite, either/or, if, unless, until, when, whether, which, who 3. use negatives (not, isn’t, neither/nor, never, nobody etc.)

Add Vowels Find in Think and Speak

Make words by adding vowels to each group of consonants below. You may add as many vowels as you like before, between or after the consonants, but you may not add any consonants or change the order of those you have been given. See if you can beat our target of common words.

vrs (10+5)

See Words

averse. ivories. ovaries. overs. oversee. varies. various. veers. verse. virus.

avers. aviaries. oeuvres. overuse. verso.

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