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The Changing Face of Japan Joseph Longford described how Japan had changed from the day he first joined the Japan Consular Service to the day he retired as Consul in Nagasaki.

In two parts

1869-1902
King George V 1910-1936
Music: Tamezou Narita and Teiichi Okano

From the National Maritime Museum, Greenwich, London, via Wikimedia Commons. Licence: Public domain. Source

About this picture …

‘The Presentation of Her Majesty’s Yacht Emperor to the Emperor of Japan at Yeddo [Tokyo], on the 26th of August 1858.’ The ship, built in London, was presented to Emperor Komei as part of the Anglo-Japanese Treaty of Amity and Commerce signed on July 11th, 1859. When Longford landed at Tokyo in 1869, he saw another English ship in the harbour, HMS Rodney, presenting a similar scene of unhurried old-world grace. Yet in that short time, the British had helped Emperor Meiji to throw off centuries of domination by the Tokugawa Shogunate, and a new era of rapid industrialisation beckoned. Deeply involved in all of it was Longford’s friend Thomas Glover. See Japan’s First Railway.

The Changing Face of Japan

Part 1 of 2

From 1869 to 1902, Joseph Longford served in the Japan Consular Service, and retired after six years as Consul in Nagasaki to become the first Professor of Japanese at King’s College in London. During that time he witnessed the transformation of Japan from feudal backwater to bustling industrial society, but as the Great War moved into its second year he was glad that the nation’s fighting spirit was as strong as ever.

WHEN I arrived there it was the land of romance. Feudalism was still alive, still unconscious of its coming doom. Silk-clad and sword-girt samurai still paced the streets with solemn dignity, and the great feudal lords, still vested with their fiefs,* still haughty in the consciousness of their dignity and power as the lords of domains in which their will was almost the sole law, passed through the same streets in gorgeous palanquins of lacquer inlaid with gold, shrouded from the vulgar gaze, and surrounded by long retinues of armed retainers, while passing commoners bowed their heads to the ground in humble reverence. No wheeled traffic disturbed the silent decorum of the great city. Everything was solemn, stately, dignified.

Jump to Part 2

* That is, still in possession of their estates.

Précis

When Joseph Longford first went to Japan, in 1869, he found a land of romance, a feudal society unchanged for centuries. Unhurried dignity ruled in Tokyo’s streets, through which the aristocracy (who still held their lands, and ruled them as they pleased) were carried upon litters while their serfs made way, bowing low before them. (54 / 60 words)

Part Two

From the Sakai City Maritime History Science Museum Collection, via Wikimedia Commons. Licence: Public domain. Source

About this picture …

Mikasa (1902), a pre-dreadnought Japanese battleship shown here at Kure in 1905. Longford’s last memory of Japan was of just such a ship. “Her dull grey hull was unbroken by one single patch of relieving colour,” he recalled, “and her mighty funnels were pouring out masses of dense black smoke that seemed to cloud the skies to the very horizon; her ugly, stunted, tripod masts were without a trace of even a furled sail, and her decks were encumbered with all the machinery that is necessary to the full equipment of a battleship of these days.” It represented to him the bewildering transformation of Japan in little more than thirty years, but boded well for the Great War.

IT was a land of romance, in which one was transported, not in thought but in actual life, back to the days of Richard Coeur de Lion, a fairyland in the picturesqueness of its people and in its own natural beauties. When I left it, the romance had gone. The samurai and the lords had become undistinguishable by outward signs from the common herd, and elbowed their way through the streets unnoticed and uncared-for. The din of electric cars never ceased and steam factories added to their noise. Japan had become a land of materialism, a great military and commercial Power. But the spirit of the people is unchanged. It is still to-day what it was when the great Mongol was triumphantly driven from the shores of the Island Empire.

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* After subjecting the Korean kingdom of Goryeo, Kublai Khan of the Yuan dynasty tried and failed to conquer the Japanese archipelago. Invasions in 1274 and 1281 were repelled by the Kamakura shogunate. Longford noted that the Japanese had been helped by a ‘divine wind’ (kamikaze), and drew several parallels with the failed invasion of England by The Spanish Armada.

Précis

When Longford left in 1902, everything in Japan had changed. From a society akin to mediaeval England, it had become a modern industrial society of noisy trams and factories. Yet Japanese character was not greatly changed from the ancient days when invaders had been put to flight: a welcome omen in the early years of the Great War. (57 / 60 words)

Source

From an essay by Joseph Henry Longford (1849-1925) in ‘The Spirit of the Allied Nations (1915), edited by Sir Sidney Low (1857-1932).

Suggested Music

1 2

Hamabe No Uta (‘Song of the Beach’) (1914)

Tamezou Narita (1893-1945)

Performed by Mariko Senju and Shigeru Maruyama.

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Transcript / Notes

For the lyrics in Japanese and English, see Yomiko Sato Music Therapy.

Furusato (1914)

Teiichi Okano (1878-1941)

Performed by Mariko Senju and Shigeru Maruyama.

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Transcript / Notes

‘Furusato’ (‘hometown’) is a children’s song about homesickness. The translation below is from Wikipedia:

I chased after rabbits on that mountain.
I fished for minnow in that river.
I still dream of those days even now
Oh, how I miss my old country home.

Father and mother ― are they doing well?
Is everything well with my old friends?
When the rain falls, when the wind blows,
I stop and recall of my old country home.

Some day when I have done what I set out to do,
I'll return home one of these days
Where the mountains are green, my old country home,
Where the waters are clear, my old country home.

How To Use This Passage

You can use this passage to help improve your command of English.

IRead it aloud, twice or more. IISummarise it in one sentence of up to 30 words. IIISummarise it in one paragraph of 40-80 words. IVMake notes on the passage, and reconstruct the original from them later on. VJot down any unfamiliar words, and make your own sentences with them later. VIMake a note of any words that surprise or impress you, and ask yourself what meaning they add to the words you would have expected to see. VIITurn any old-fashioned English into modern English. VIIITurn prose into verse, and verse into prose. IXAsk yourself what the author is trying to get you to feel or think. XHow would an artist or a photographer capture the scene? XIHow would a movie director shoot it, or a composer write incidental music for it?

For these and more ideas, see How to Use The Copy Book.

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