Copy Book Archive

Ranji’s Revenge Cricketing legend W. G. Grace tells a story illustrating how fellow-batsman K. S. Ranjitsinhji set about winning the hearts of English cricketers.
?1890
Queen Victoria 1837-1901
Music: Sir Edward Elgar

© John Sutton, Geograph. Licence: CC BY-SA 2.0. Source

About this picture …

The view southwest across Parker’s Piece towards the Roman Catholic Church of Our Lady and the English Martyrs in Cambridge. It was here in the late 1880s that Ranji, a student at Trinity College, began his ascent to the very top of English cricket, turning out for the Cassandra Club (among others) under the tongue-in-cheek pseudonym of ‘Smith’.

Ranji’s Revenge
“Among cricketers” wrote that great cricketing legend Dr W. G. Grace, “‘Ranji’ is exceedingly popular, his open-hearted generosity and geniality having captured all their hearts.” But when K. S. Ranjitsinhji (1872-1933) first came up to Cambridge in 1888, he had yet to win his popularity — even as he had yet to win his crown as Prince of Nawanagar. From this story, it is easy to see how Ranji wore down the barriers.

ONE of the best stories of the Indian Prince is vouched for by the Cambridge journalist who collaborated with ‘Ranji’ in writing his Jubilee Book of Cricket. When ‘Ranji’ was at Cambridge he went on a tour with the Cassandra Cricket Club.* A member of an opposing side inquired of some of the visitors if ‘that dark chap could speak English?’ They, speedily foreseeing possibilities, replied seriously that he knew a few words, such as ‘Yes’ and ‘No’ and ‘How’s that?’

When the unconscious ‘Ranji’ went to the wickets, to his great astonishment he heard some lively criticisms of his batting. He made a characteristically huge score, and every now and again some one of the fielding side would ejaculate, ‘Here, isn’t it time this fellow went out?’ Once, when the ball struck ‘Ranji’ in the chest and doubled him up, the fielding captain audibly hoped that it would ‘knock some of the steam out of the beggar.’ At the subsequent luncheon, when Ranjitsinhji rose to toast genially the home side, several faces were seen to change colour.*

The Cassandra Club was a Cambridge-based cricket team that played its home matches on Parker’s Piece, some twenty-five acres of open ground in the city centre (it was here that the rules of football adopted by the newly-formed Football Association in 1863 had grown to maturity). The Cambridge University team at the time was extremely strong, so in order to attract the notice of the selectors, Ranji played immense amounts of cricket, appearing for several clubs (often under the pseudonym of ‘Smith’) and on one occasion played three matches simultaneously, scoring a century in each. He was rewarded in 1893, when he represented Cambridge in the Varsity Match against supreme rivals Oxford.

Journalist A. G. Gardiner (‘Alpha of the Plough’), an admirer of Ranji’s batting, would also have admired his way of dealing with discourtesy. See Give the Wall.

Précis

As K. S. Ranjitsinhji walked to the crease in one of his first cricket matches in England, his impish team-mates confided to the opposition that he knew very little English. Thus reassured, they subjected him to relentless ‘sledging’. Afterwards, Ranji offered them a gracious toast and they realised with horror that he must have understood every word they said. (59 / 60 words)

Source

From ‘W.G., Cricketing Reminiscences and Personal Recollections (1899) by W. G. (William Gilbert) Grace (1848-1915).

Suggested Music

La Capriceuse

Sir Edward Elgar (1857-1934)

Performed by Marat Bisengaliev and Benjamin Frith.

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How To Use This Passage

You can use this passage to help improve your command of English.

IRead it aloud, twice or more. IISummarise it in one sentence of up to 30 words. IIISummarise it in one paragraph of 40-80 words. IVMake notes on the passage, and reconstruct the original from them later on. VJot down any unfamiliar words, and make your own sentences with them later. VIMake a note of any words that surprise or impress you, and ask yourself what meaning they add to the words you would have expected to see. VIITurn any old-fashioned English into modern English. VIIITurn prose into verse, and verse into prose. IXAsk yourself what the author is trying to get you to feel or think. XHow would an artist or a photographer capture the scene? XIHow would a movie director shoot it, or a composer write incidental music for it?

For these and more ideas, see How to Use The Copy Book.

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