The Copy Book

Chopsticks

Ethel Smyth puts on a show for a self-declared music enthusiast.

Abridged
1880

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© Orin Zebest, via Wikimedia Commons. Licence: CC BY-SA 2.0.

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Chopsticks

© Orin Zebest, via Wikimedia Commons. Licence: CC BY-SA 2.0. Source
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‘The Celebrated Chop Waltz’ was composed by sixteen-year-old Euphemia Allen (calling herself Arthur de Lulli) in 1877, only three years before Ethel’s neighbour came to call. Euphemia’s brother, a music publisher, rushed into print and the little waltz became an instant hit with the Victorian public. The original said nothing about chopsticks, but directed that some passages should be played with a chopping motion, using the side of the hand.

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Introduction

Ethel Smyth (to rhyme with ‘blithe’) came home to England in 1880 after winning many friends among the musical celebrities of Leipzig, and found that she had become something of a celebrity herself. It took a visit from a neighbour to remind her that whether you are a Smyth or a Schubert, ‘celebrity’ is a relative term.

WHILE travelling with my mother I had been told about a charming newcomer in our neighbourhood whom she had as yet seen little of, but who was said to be very musical and looking forward to meeting the Leipzig daughter.

Knowing what ‘very musical’ amounts to in England expectation did not run high,* but on the day she had been asked to lunch I sat down at the piano, just for fun, as her dogcart drew up at the door, and began playing ‘Im Freien’, a Schubert song I was wild about just then.

Presently a very nice-looking woman of the smart sporting type was ushered in who cheerfully uttered the words:

“Ah! dear old Chopsticks!”*

Abridged

From ‘Impressions that Remained’, by Ethel Smyth (1858-1944).

A little unfair on the English. Maybe it was her London perspective. “Some day” said Edward Elgar twenty years later, in a letter to Canon Gorton of the Morecambe Music Festival, “the press will awake to the fact, already known abroad and to some few of us in England, that the living centre of music in Great Britain is not London, but somewhere further North.” See ‘Musical Times’, July 1903.

“The drawback of this anecdote” wrote Smyth “is that probably few serious musicians know ‘Chopsticks’, and the sort of people who know ‘Chopsticks’ are still less likely to know ‘Im Freien’.” Smyth therefore provided short excerpts from the sheet music; for recordings of each one, see below.

Related Video

Euphemia Allen’s little waltz, composed in 1877 when she was sixteen, did not mention chopsticks, only a chopping motion for certain passages, playing with the side of the hand, but as Smyth’s story shows the ‘chopsticks’ soubriquet stuck early on. It is played here by Stephanie McCallum and Kevin Hunt.

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Smyth gave a short snapshot of the sheet music for both ‘Im Freien’ and ‘Chopsticks’ to underline that the confusion was understandable – one might add, especially in someone who is getting down from a dogcart and can hear only a few notes from a piano, wafting out through an open front door. In the video below, Franz Schubert’s famous Lied is performed by baritone Dietrich Fischer-Dieskau and pianist Gerald Moore.

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Show Transcript / Notes

See [getoffsitelink:https://oxfordsong.org/song/im-freien|Oxford International Song Festival] for the lyrics in German and English.

Précis

Ethel Smyth came home to England from Germany in 1880 with a reputation as a musical prodigy. One lady music enthusiast in the neighbourhood was keen to meet her, and as she rang the doorbell Ethel began playing a Schubert song for her. The lady was most appreciative, but to Ethel’s lasting amusement mistook the song for Chopsticks. (58 / 60 words)

Ethel Smyth came home to England from Germany in 1880 with a reputation as a musical prodigy. One lady music enthusiast in the neighbourhood was keen to meet her, and as she rang the doorbell Ethel began playing a Schubert song for her. The lady was most appreciative, but to Ethel’s lasting amusement mistook the song for Chopsticks.

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Variations: 1.increase the length of this precis to exactly 65 words. 2.reduce the length of this precis to exactly 55 words. 3.introduce one of the following words into the precis: because, besides, despite, if, just, not, otherwise, since.

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Word Games

Sevens Based on this passage

Suggest answers to this question. See if you can limit one answer to exactly seven words.

Why was Ethel’s neighbour looking forward to meeting her?

Variations: 1.expand your answer to exactly fourteen words. 2.expand your answer further, to exactly twenty-one words. 3.include one of the following words in your answer: if, but, despite, because, (al)though, unless.

Jigsaws Based on this passage

Express the ideas below in a single sentence, using different words as much as possible. Do not be satisfied with the first answer you think of; think of several, and choose the best.

Ethel studied music in Leipzig. A neighbour heard this. She wanted to meet Ethel.

Spinners Find in Think and Speak

For each group of words, compose a sentence that uses all three. You can use any form of the word: for example, cat → cats, go → went, or quick → quickly, though neigh → neighbour is stretching it a bit.

This exercise uses words found in the accompanying passage.

1 Daughter. Do. Nice.

2 Lunch. Song. Usher.

3 Know. Piano. Travel.

Variations: 1. include direct and indirect speech 2. include one or more of these words: although, because, despite, either/or, if, unless, until, when, whether, which, who 3. use negatives (not, isn’t, neither/nor, never, nobody etc.)

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Make words (three letters or more) from the seven letters showing below, using any letter once only. Each letter carries a score. What is the highest-scoring word you can make?

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