Clay Lane

The Copy Book

A Library of History and Literature in English

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1333

Florence Nightingale

Florence used her logical mind and society connections to save thousands of lives in the Crimean War.

By the time she was twenty-one, well-to-do Florence Nightingale (1820-1910) was sure that God wished her to exchange European society life for nursing. Her mother begged her to think again: her intellectual gifts and social position promised so much more. And in a way she was right.

1334

Stick and Carrot

The Virgin Mary and her son team up to get the best out of some careless monks.

In this ‘good cop, bad cop’ story from the early 14th century, Christ and his mother team up to use a bit of psychology to get through to some beloved but sloppy monks.

1335

The Battle of the Somme

A British victory at tragic cost, in which both sides had to learn a new way of fighting.

In February 1916, Germany launched an offensive at Verdun in Lorraine, near the German border with France. To relieve the French forces, the British tried to draw the Germans north to the River Somme in Picardy.

1336

Cap o’ Rushes

A girl’s choice of words sees her turned out of hearth and home.

This distinctively English tale has a lot of Cinderella in it, but in some ways it is a richer story, framed by an Aesop-like moral and not cluttered by magic.

1337

The Fall of Constantinople

Hospitality and sympathy, but no help - the Byzantine Emperor learns a bitter lesson about western diplomacy.

Byzantium became the capital of the Roman Empire in 330, and was renamed Constantinople after the Emperor, Constantine. Its fall to the Ottoman Turks in 1453 was one of the great catastrophes of civilisation, yet England and the other powers of Europe stood and watched.

1338

‘My Shadow’

An enduringly popular poem by the author of ‘Treasure Island’.

Robert Louis Stevenson, better known today for ‘Treasure Island’ and ‘Strange Case of Dr Jekyll and Mr Hyde’, first published ‘A Child’s Garden of Verses’ in 1885. He uses simple rhymes and a ‘rum-ti-tum’ rhythm to create a sense of childhood innocence, though he does not by any means romanticise childhood, and many poems in the set are tinged with sorrow.