Fashionable Freedom
Josiah Wedgwood’s promotional gift made Abolitionism fashionable.
1808
The Committee for the Abolition of the Slave Trade, founded in 1787 by Thomas Clarkson, distributed a tasteful cameo of its emblem done in jasperware by Josiah Wedgwood. Clarkson (who sent some to Benjamin Franklin, President of Pennsylvania) later expressed his warm appreciation.
NOR was the philanthropy of the late Mr. Wedgwood less instrumental in turning the popular feeling in our favour. He took the seal of the committee for his model, and produced a beautiful cameo.
Mr. Wedgwood made a liberal donation of these, when finished, among his friends. I received from him no less than five hundred of them myself.
They, to whom they were sent, did not lay them up in their cabinets, but gave them away likewise. Some had them inlaid in gold on the lid of their snuff-boxes. Of the ladies, several wore them in bracelets, and others had them fitted up in an ornamental manner as pins for their hair.
At length, the taste for wearing them became general; and thus fashion, which usually confines itself to worthless things, was seen for once in the honourable office of promoting the cause of justice, humanity, and freedom.
1. What is the author aiming to achieve in writing this?
2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate his ideas more effectively?
3. What impression does this passage make on you? How might you put that impression into words?
Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.
Suggest answers to this question. See if you can limit one answer to exactly seven words.
Where did Wedgwood get the design for his cameo?