Extracts from Fiction
Posts in The Copybook tagged ‘Extracts from Fiction’
Pip receives a visitor from among the criminal classes, but his condescending attempt to play the gentleman rebounds spectacularly.
One night, Pip Pirrip, now twenty-three, opens the door of his London apartment and finds a rough-looking man of about sixty outside. This alarming visitor asks him to recall helping a sorry convict, hunted down by the police on the Kent marshes sixteen years before. Uncomfortably, Pip does, and also remembers that the convict had afterwards sent him two pounds. A thought befitting a gentleman then strikes him.
Mr Pickwick has embarked on a tour of Kent, and this sunny morning finds him leaning over the parapet of Rochester Bridge, deep in reflection.
Charles Dickens’s Pickwick Papers follows Mr Samuel Pickwick as he tours the home counties with his friends, and records his impressions for the Pickwick Club. He reached Rochester without anything worse befalling his party than Mr Winkle being challenged to a duel for an offence he could not remember giving; and thus it was that before breakfast one fine morning, Mr Pickwick stood upon the bridge surveying the castle and countryside with a contented eye.
Now that Mr Willoughby has been found, and found to be married, Elinor Dashwood has the disagreeable task of making sure that her sister feels it is all for the best.
Jane Austen’s Sense and Sensibility turns on the baffling behaviour of Mr Willoughby, who assiduously courts Marianne Dashwood only to vanish from the neighbourhood. When he is finally tracked down in London, he has married a woman of fashion and wealth, and Marianne’s sister Elinor — with every right to a resounding ‘I told you so’ — has to make sure that Marianne and their mother have both accepted the realities.
In the opening lines of Laurence Sterne’s Sentimental Journey, the narrator explains the perverse whim that led him to leave his home shores behind.
Laurence Sterne published A Sentimental Journey Through France and Italy in 1768, only a few weeks before his death. Sterne had recently toured the Continent himself, determined to be less fractious and curmudgeonly than fellow writer and tourist Tobias Smollett. The story begins with the narrator, the Revd Mr Yorick, feeling challenged to back up his rosy view of life on the near Continent by actually paying it a visit.
Overwhelmed by a London wedding, William Marston seeks safety in the company of a children’s nurse, but safety is not what he finds.
Towards the close of Henry Kingsley’s Ravenshoe, William Marston has been invited to a double wedding, and being unmarried himself feels a little out of it. His eye lights on a children’s nurse, and gallantly he attaches himself to her only to find that in doing so he has attached himself to her three little charges too — the kind of charge that goes off with a bang.
A young Nathaniel Hawthorne recalls a confidential conversation with a tired old horse.
On June 1st, 1816, Robert Hawthorne presented his nephew Nathaniel, a month shy of his twelfth birthday, with a diary ‘with the advice that he write out his thoughts, some every day, in as good words as he can’. It was in this diary that Nathaniel recalled running across an underfed working horse, agonisingly forced to listen as his master ground delicious corn at nearby Dingley mill.