Introduction
Jane Austen’s Northanger Abbey, published after her death in 1817, is a playful swipe at contemporary women’s fiction. She begins by warning us that Catherine Morland had not experienced the kind of childhood — marked by fragile beauty, precocious accomplishments, and sentimental attachments — that fans of romantic fiction expected in their heroines. She was, in fact, perfectly normal.
A FAMILY of ten children will be always called a fine family, where there are heads, and arms, and legs enough for the number; but the Morlands had little other right to the word, for they were in general very plain, and Catherine, for many years of her life, as plain as any. She had a thin awkward figure, a sallow skin without colour, dark lank hair, and strong features; so much for her person, and not less unpropitious for heroism seemed her mind. She was fond of all boys’ play and greatly preferred cricket, not merely to dolls, but to the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush. Indeed she had no taste for a garden, and if she gathered flowers at all, it was chiefly for the pleasure of mischief, at least so it was conjectured from her always preferring those which she was forbidden to take. Such were her propensities; her abilities were quite as extraordinary. She never could learn or understand anything before she was taught, and sometimes not even then, for she was often inattentive, and occasionally stupid. Her mother was three months in teaching her only to repeat the “Beggar’s Petition,”* and, after all, her next sister Sally could say it better than she did.
* A poem by Thomas Moss (1740-1808), minister of Brierly Hill and Trentham in Staffordshire, in which a beggar knocks at the door of a smart house in a well-to-do neighbourhood and tells a pitiable tale of hardship. The poem was one of a collection published anonymously in 1769. See The Beggar’s Petition.
Précis
Catherine Morland is destined to be the heroine of Jane Austen’s comic novel Northanger Abbey, but at the age of ten she would not, Austen tells us, have matched the conventional expectations of fans of romantic literature. Instead of being a fragile beauty, sensitive and dutiful, she was a little urchin, plain, naughty and quite unsentimental. (56 / 60 words)
Catherine Morland is destined to be the heroine of Jane Austen’s comic novel Northanger Abbey, but at the age of ten she would not, Austen tells us, have matched the conventional expectations of fans of romantic literature. Instead of being a fragile beauty, sensitive and dutiful, she was a little urchin, plain, naughty and quite unsentimental.
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