‘Westward, Look, the Land Is Bright!’

Though Arthur Clough had discovered that to be your own man was a long and toilsome path, it was not a path without hope.

1849

Introduction

In 1848, Arthur Hugh Clough resigned a desirable Fellowship at Oxford owing to his doubts about the Church of England. Shortly afterwards he was appointed Principal of University Hall in London, an ecumenical and supposedly more open-minded institution, but here too Clough found he was expected to think as his new colleagues did. Lonely, silent and depressed, he nevertheless clung on to hope.

SAY not the struggle nought availeth,
The labour and the wounds are vain,
The enemy faints not, nor faileth,
And as things have been they remain.

If hopes were dupes, fears may be liars;
It may be, in yon smoke concealed,
Your comrades chase e’en now the fliers,*
And, but for you, possess the field.

For while the tired waves, vainly breaking
Seem here no painful inch to gain,
Far back through creeks and inlets making,
Comes silent, flooding in, the main.*

And not by eastern windows only,
When daylight comes, comes in the light,
In front the sun climbs slow, how slowly,
But westward, look, the land is bright.*

From ‘The Poems of Arthur Hugh Clough’ (1899) by Arthur Hugh Clough (1819-1861).

* ‘Fliers’ are rapidly retreating soldiers.

* ‘The main’ is the sea, especially a broad expanse of sea.

* Clough means that looking to the future may bring more hope than looking only at the present, just as you can sometimes appreciate the morning sunrise better by looking on sunlit fields in the west than by looking directly towards the east.

Précis
During a particularly trying year, 1849, poet Arthur Clough encouraged everyone to persevere. Our hopes may have disappointed, but our anxieties may be just as false: tides change slowly but they do change, and just as we see the first light of dawn on distant hills, so we should look to the future to see our present gloom already lifting.
Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate his ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

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