Copy Book Archive

‘Please Sir, I Want Some More!’ Oliver was elected as the unwilling spokesman for all the hungry children.

In two parts

1838
Music: Samuel Wesley

© Coyau, Wikimedia Commons. Licence: CC-BY-SA 3.0. Source

About this picture …

Detail of a 17th century statue of the Greek god Morpheus, holding a bowl in his left hand, in the Palace of Versailles, France. The Poor Law Amendment Act of 1834, passed shortly before Oliver Twist was serialised in 1837-39, took responsibility away from local parishes, which had sought to rehabilite the poor in their own homes and neighbourhoods, and vested it instead in Poor Law Unions, which were required to care for utterly hopeless cases while deterring as many people as possible from seeking help. The rationale given was economic and also moral — punishing shirkers and rewarding workers, as modern politicians would say — but it was highly dubious on both counts, and led to many shocking cases of neglect and waste. See A Woman’s Logic.

‘Please Sir, I Want Some More!’

Part 1 of 2

After he was left orphaned by the death of his mother, little Oliver Twist was ‘cared for’ in a State-run workhouse. The officials who ran it were satisfied that the boys were fed according to Government guidelines, but if so the boys found the guidelines wanting. Eventually they decided they must do something about it — or at any rate, that one of them must do something about it.

A COUNCIL was held; lots were cast who should walk up to the master after supper that evening, and ask for more; and it fell to Oliver Twist.

The evening arrived; the boys took their places. The master, in his cook’s uniform, stationed himself at the copper; his pauper assistants ranged themselves behind him; the gruel was served out; and a long grace was said over the short commons. The gruel disappeared; the boys whispered each other, and winked at Oliver; while his next neighbours nudged him. Child as he was, he was desperate with hunger, and reckless with misery. He rose from the table; and advancing to the master, basin and spoon in hand, said: somewhat alarmed at his own temerity:

“Please, sir, I want some more.”

The master was a fat, healthy man; but he turned very pale. He gazed in stupefied astonishment on the small rebel for some seconds, and then clung for support to the copper. The assistants were paralysed with wonder; the boys with fear.

“What!” said the master at length, in a faint voice.

“Please, sir,” replied Oliver, “I want some more.”

Jump to Part 2

Part Two

© Dave Brown, Geograph. Licence: CC-BY-SA 2.0. Source

About this picture …

The former Watling Street Road Workhouse in Fulwood, Lancashire, now Preston Business Centre, University of Central Lancashire. The Workhouse was built in 1865-68, some thirty years after Dickens wrote his story. There were two views of the Poor Law Amendment Act of 1834, passed shortly before Oliver Twist was serialised in 1837-39. In Lancashire and many other northern areas, the Act met with strong resistance from those who had garnered praise for their discreet, cottage-like workhouses designed to help unfortunate neighbours to become self-sufficient. But supporters hailed the new policy as a much-needed deterrent, discouraging all but the most abject cases from being a burden on the rate-payer, and large, centralised, prison-like buildings reflected this vision.

THE master aimed a blow at Oliver’s head with the ladle, pinioned him in his arms, and shrieked aloud for the beadle.

The Board were sitting in solemn conclave, when Mr Bumble rushed into the room in great excitement, and addressing the gentleman in the high chair, said —

‘Mr Limbkins, I beg your pardon, sir! Oliver Twist has asked for more!”

There was a general start. Horror was depicted on every countenance.

“For more!” said Mr Limbkins. “Compose yourself, Bumble, and answer me distinctly. Do I understand that he asked for more, after he had eaten the supper allotted by the dietary?”*

“He did, sir,” replied Bumble.

“That boy will be hung,” said the gentleman in the white waistcoat. “I know that boy will be hung.”*

Nobody controverted the prophetic gentleman’s opinion. An animated discussion took place. Oliver was ordered into instant confinement; and a bill was next morning pasted on the outside of the gate, offering a reward of five pounds to anybody who would take Oliver Twist off the hands of the parish.

Copy Book

* A now old-fashioned word for a restricted diet, a dietary regimen.

* We met the gentleman in the white waistcoat a few pages back, when Oliver first came to the workhouse. He pronounced Oliver ‘a fool’ even then; his opinion now took a turn for the worse. Properly speaking, when ‘hang’ means ‘execute by hanging’ the correct form is ‘will be hanged’ and not ‘will be hung’, but the mistake is a common one.

Source

From ‘Oliver Twist’ (1838), by Charles Dickens (1812-1870).

Suggested Music

1 2

Sinfonia obbligato

II. Andante con moto

Samuel Wesley (1766-1837)

Performed by the London Mozart Players, conducted by Matthias Bamert.

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Sinfonia obbligato

III. Allegro molto

Samuel Wesley (1766-1837)

Performed by the London Mozart Players, conducted by Matthias Bamert.

Media not showing? Let me know!

How To Use This Passage

You can use this passage to help improve your command of English.

IRead it aloud, twice or more. IISummarise it in one sentence of up to 30 words. IIISummarise it in one paragraph of 40-80 words. IVMake notes on the passage, and reconstruct the original from them later on. VJot down any unfamiliar words, and make your own sentences with them later. VIMake a note of any words that surprise or impress you, and ask yourself what meaning they add to the words you would have expected to see. VIITurn any old-fashioned English into modern English. VIIITurn prose into verse, and verse into prose. IXAsk yourself what the author is trying to get you to feel or think. XHow would an artist or a photographer capture the scene? XIHow would a movie director shoot it, or a composer write incidental music for it?

For these and more ideas, see How to Use The Copy Book.

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