Copy Book Archive

A Kitten’s Jest In ‘Familiarity Dangerous,’ poet William Cowper tells a little tale warning that if you join in the game you play by the rules.
before 1800
Music: César Cui

© Petrb, Wikimedia Commons. Licence: CC BY-SA 3.0. Source

About this picture …

“Take that... whatever you are!” A kitten metes out uncertain justice to a stuffed toy. The house in Olney, Buckinghamshire, that Cowper shared with widow Mary Unwin was home to cats, kittens and three pet hares. Some of Cowper’s verse was inspired by his cats but these lines were originally Latin verses by Vincent (Vinny) Bourne, who taught Cowper at Westminster School. “His humour is entirely original” Cowper said of him; “he can speak of a magpie or a cat in terms so exquisitely appropriated to the character he draws, that one would suppose him animated by the spirit of the creature he describes.”

A Kitten’s Jest
William Cowper was very much a cat person, so naturally these lines from the Latin of Vincent Bourne (1695-1747), who had been on the staff at Westminster School when Cowper was a pupil there, appealed to him. A kitten reminds us that if you want to be one of the gang it has got to be on their terms.

‘Familiarity Dangerous’

AS in her ancient mistress’ lap
The youthful tabby lay,
They gave each other many a tap,
Alike disposed to play.
But strife ensues. Puss waxes warm,
And with protruded claws
Ploughs all the length of Lydia’s arm,
Mere wantonness the cause.
At once, resentful of the deed,
She shakes her to the ground
With many a threat that she shall bleed
With still a deeper wound.
But, Lydia, bid thy fury rest:
It was a venial stroke:
For she that will with kittens jest
Should bear a kitten’s joke.

William Cowper Next: Winter Wisdom

Précis

In this short poem from Vincent Bourne’s Latin, Cowper tells of a lady named Lydia who played with a kitten on her lap. The cat became over-excited and scratched her mistress, who responded by scolding her harshly. But the poet admonishes Lydia. The wound was slight, and if you join in cats’ games you must play by their rules. (59 / 60 words)

Source

From The Works of William Cowper’ (1849) edited by T. S. Grimshawe.

Suggested Music

24 Pieces for Violin and Piano, Op. 50 ‘Kaleidoscope’

No. 12 Perpetuum mobile

César Cui (1835-1918)

Performed by Peter Sheppard (violin) and Aaron Shorr (piano).

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How To Use This Passage

You can use this passage to help improve your command of English.

IRead it aloud, twice or more. IISummarise it in one sentence of up to 30 words. IIISummarise it in one paragraph of 40-80 words. IVMake notes on the passage, and reconstruct the original from them later on. VJot down any unfamiliar words, and make your own sentences with them later. VIMake a note of any words that surprise or impress you, and ask yourself what meaning they add to the words you would have expected to see. VIITurn any old-fashioned English into modern English. VIIITurn prose into verse, and verse into prose. IXAsk yourself what the author is trying to get you to feel or think. XHow would an artist or a photographer capture the scene? XIHow would a movie director shoot it, or a composer write incidental music for it?

For these and more ideas, see How to Use The Copy Book.

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