Music and Musicians
Posts in The Copybook tagged ‘Music and Musicians’
Young Thomas Arne goes to extreme lengths to conceal his musical talent from his family.
Thomas Arne (1710-1778) remains one of England’s greatest composers, though overshadowed now by his contemporary George Frideric Handel. He wrote the music for the National Anthem and ‘Rule Britannia!’ and composed dozens of popular songs and operas, but if his father had had his way, Thomas would have been a bored London attorney.
John Milton shows his appreciation for noble words and music in uplifting harmony.
Milton’s celebration of noble poetry set to music, which he presents as an echo of the music of heaven itself, is couched in terms of the Sirens of Greek mythology, two mysterious winged women hidden in cliff-tops whose enchanting song drew sailors irresistibly.
JB Cramer was one of the finest pianists of his day, though his reverence for Mozart made his own music more popular in the drawing room than the concert hall.
In 1772, Wilhelm Cramer, a virtuoso violinist from Stuttgart in the Duchy of Württemberg, settled in London, becoming a leading figure in concert halls and in the Court of King George III. Soon afterwards, his infant son Johann Baptist Cramer (1771-1858) joined him in England.
Composer Ethel Smyth buys a new-fangled ladies’ bicycle, and scandalises the neighbours.
Ethel Smyth (to rhyme with ‘Forsyth’) was a successful composer of opera and orchestral music, whose lightly-written memoirs – she was acquainted with Brahms, Grieg and several other public figures in music – were also well received. Here, she recalls her scandalous purchase of a ladies’ bicycle in 1894.
Beethoven’s Ninth Symphony was commissioned by a fiercely independent Britain, and Beethoven was excited to oblige.
Beethoven’s Ninth Symphony is today associated with the European Union, something of an irony as Beethoven loudly cheered on Britain’s resistance to Napoleon Bonaparte’s dreams of a Europe-wide superstate. Indeed, the Symphony itself arose out of a commission from friends in London in 1817, just two years after Waterloo.
A young English girl in Dr Johnson’s London struggles to share her gift for music.
The story of Anne Ford (1737-1824) is an inspirational tale of determination, which shows two contrasting sides to Georgian England, and reminds us once again that Britain made rapid social progress without the violence seen on the near Continent.