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The methods of our parliamentary government have been freely copied; but, unfortunately, they owe their value in England, not so much to the excellence of the finished article, as to the long process of forging which it has undergone. English institutions, we know, depend for their success on the capacity of the English people to work them; and this depends on the solidarity of our national life, which underlies all mechanism, and gives that mechanism its native power.

We can lend other peoples our mechanism; unhappily we cannot lend them our solidarity. Those who have borrowed from us feel a little sore that things do not work with them so well as they expected. Party government is an excellent thing, but the number of parties must be limited, and it is difficult to limit them artificially. It is well that ministers should be sensitive to public opinion, but it is discouraging when they are so sensitive that a ministry does not endure more than six months. I think there is a certain feeling that we have beguiled other countries and have advertised as a panacea a course of treatment which applies only to ourselves.

abridged

From ‘The English National Character’, the Romanes Lecture delivered in the Sheldonian Theatre, Oxford, on 17th June, 1896. As given in Historical Lectures and Addresses by Mandell Creighton (1843-1901).

Précis
Encouraged by us, other nations have copied the institutions of English parliamentary democracy; but multi-party politics and democratic protest have proved difficult to handle where the customs and conventions of English society are not already firmly established. Some foreign peoples, warned Creighton, are beginning to feel that the political institutions they have borrowed from us have let them down.
Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate his ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

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