Rochester Reverie

On either side, the banks of the Medway, covered with cornfields and pastures, with here and there a windmill, or a distant church, stretched away as far as the eye could see, presenting a rich and varied landscape, rendered more beautiful by the changing shadows which passed swiftly across it, as the thin and half-formed clouds skimmed away in the light of the morning sun. The river, reflecting the clear blue of the sky, glistened and sparkled as it flowed noiselessly on; and the oars of the fishermen dipped into the water with a clear and liquid sound, as the heavy but picturesque boats glided slowly down the stream.

Mr Pickwick was roused from the agreeable reverie into which he had been led by the objects before him, by a deep sigh, and a touch on his shoulder.

From ‘The Pickwick Papers’ (1837) by Charles Dickens (1812-1870).

Précis
From the castle, Mr Pickwick’s gaze strayed to the countryside on either side of the river, dotted with farms and windmills. Then his attention returned to the river, where watermen were already hard at work, their oars plashing in the smooth waters of the Medway, until he was jerked from his thoughts by a tap upon his shoulder.
Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate his ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

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