Sing Us a Song of Zion

This king was a Mohammedan, and when the Englishmen came to take leave of him, he turned to Captain Lancaster and asked, “Do you know the Psalms of David?”*

“Yes,” replied Lancaster, greatly astonished, “we say them every day.”

“Then,” said the King, “I and these nobles about me will sing a psalm to God for your prosperity.”

So very solemnly this heathen king and his nobles sang a psalm. It was a curious sight. There in the gorgeous heathen palace stood the few rough English sailors. Around them singing crowded the dark-faced Indians, clad in brilliant dresses of red and yellow, glittering with jewels and gold.

When the psalm was ended, the King again turned to Lancaster. “Now,” he said, “I would hear you too sing a psalm in your own language.”

So in their turn the Englishmen sang. And the psalm being finished, they took their leave.

abridged

Abridged from ‘An Empire Story; Stories of India and the Greater Colonies Told to Children’ (1865) by Henrietta Elizabeth Marshall (1867-1941).

* The Psalms of David are, like the Christian Gospels, regarded respectfully by Muslims and regarded as having some value as divine revelation, though not on the same level as the Koran.

Related Video

Psalm 23 (The Lord is My Shepherd), sung here by the Choir of Westminster Abbey. The chant is by Sir George C. Martin (1844-1916), from 1909. The translation is by Myles Coverdale, and comes from the Book of Common Prayer first published in 1549.

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Précis
As they prepared to leave Aceh, the Sultan asked whether the Englishmen were familiar with the Book of Psalms. Somewhat taken aback, Captain Lancaster said they were, whereupon the Sultan’s courtiers sang a psalm as a blessing before asking the English mariners to reply in kind. They did, and in this happy atmosphere set sail for new lands.
Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate her ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

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