Prav’, Britaniya!

ONE glorious hymn or psalm, or anthem from the service followed another, the boys singing as naturally as the birds in the branches of the trees, the men with their marvellous, organ-like bass, no accompaniment, such as one felt one could hear nowhere else. Then we went into an inner room, where were gathered together most of the officials of the University, as well as ecclesiastics, standing deferentially, and listening attentively to what the Archbishop, who had seated me beside himself on a sofa, said to me in the way of appreciation and admiration for our country and its associations.*

I remember still, as distinctly as I felt it then, how I looked out through the window upon the beautiful garden, and blue sky beyond the monastery buildings, and said to myself, “This is Old Russia as it has been for centuries. The bloom is still upon the grape; all the old charm is here still. I wonder how long it will be so.” In a year’s time all had completely vanished and entirely gone, and whatever happens everyone must feel that in all such experiences as those, Russia can never be the same again.

From ‘Russia from Within’ (1927) by Herbert Bury (1853-1933). Additional information from ‘The Spirit of Russia: The Revival of the Parish’ by Olga Novikoff (?1842-1925) in ‘The Asiatic Review (formerly The Asiatic Quarterly Review) Vol. 7 (July-January 1916), and 100 Years Late (at Orthodox England).

* In his Memoirs, Nikolay Davidovich Zhevakhov (1874-1938) recalled that Metropolitan Pitirim was eager to establish a Russian Orthodox church in London, and at the time of the revolution a committee had been established. The support of Herbert Bury, the Church of England’s Bishop for North and Central Europe, would be very desirable. Olga Novikoff (?1842-1925) — whom William Stead credited with prompting Prime Minister William Gladstone’s famous ‘bag and baggage’ denunciation of Turkey over Bulgaria, and whom he praised for combining good Anglo-Russian relations with respect for Russian identity — was an admirer of Metropolitan Pitirim, and noted that he was keen on encouraging strong and vibrant parish life, something which had lost momentum in Imperial Russia.

Related Video

Rule, Britannia!, sung in English by the Sveshnikov State Choir of Russia.

Media not showing? Let me know!

Précis
After ‘Rule, Britannia!’ the choir moved on to sacred music. Listening to the unmistakable sound of a Russian choir, and looking out over the monastery garden at the colours of a Russian summer, Bury fell to wondering how long such an enchanted life could continue; in just a few months, the Revolution gave him an answer.
Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate his ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

Jigsaws

Express the ideas below in a single sentence, using different words as much as possible. Do not be satisfied with the first answer you think of; think of several, and choose the best.

The choir sang church music. No musical instruments were used. Russian church music is always sung that way.

See if you can include one or more of these words in your answer.

IAccompany. IIKeep. IIIVoice.

Read Next

‘This England’

John of Gaunt watches in despair as his country is milked for its wealth and shared out among the king’s favourites.

The Obstinacy of Fowell Buxton

Fatherless teenage tearaway Fowell Buxton was not a promising boy, but the Gurney family changed all that.

Sunday in London

Every Sunday, the Englishman is raised to heaven by the choir, and then taken to her bosom by Mother Earth.