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Three Aspects of Liberty John Stuart Mill set out three kinds of liberty essential to a truly free society: freedom of conscience, of tastes, and of association.

In two parts

1858
Queen Victoria 1837-1901
Music: Franz Liszt

© Juanedc, Wikimedia Commons. Licence: CC BY-SA 2.0. Source

About this picture …

‘Le Penseur’ a copy of the famous sculpture by Auguste Rodin (1840-1917), in the Plaza de Nuestra Señora del Pilar, Zaragoza, Aragon, Spain. Mill set freedom of thought at the head of his list of liberties, but he immediately connected it with freedom of speech. Mill had no time for those who claimed that people have a right not to be contradicted or offended, or that we should suppress opinions or reports just because we think they are groundless. See The Decencies of Debate.

Three Aspects of Liberty

Part 1 of 2

In his essay On Liberty, John Stuart Mill has been talking about the proper role of Government, arguing that the State authorities should not meddle in the lives of individual citizens. He now lays out three freedoms essential to any truly liberal society: those of thought, choice and association. Every man should have the freedom to go his own way in life, so long as he extends the same courtesy to his neighbours.

THIS, then, is the appropriate region of human liberty. It comprises, first, the inward domain of consciousness; demanding liberty of conscience, in the most comprehensive sense; liberty of thought and feeling; absolute freedom of opinion and sentiment on all subjects, practical or speculative, scientific, moral, or theological. The liberty of expressing and publishing opinions may seem to fall under a different principle, since it belongs to that part of the conduct of an individual which concerns other people; but, being almost of as much importance as the liberty of thought itself, and resting in great part on the same reasons, is practically inseparable from it.*

Secondly, the principle requires liberty of tastes and pursuits; of framing the plan of our life to suit our own character; of doing as we like, subject to such consequences as may follow; without impediment from our fellow-creatures, so long as what we do does not harm them — even though they should think our conduct foolish, perverse, or wrong.

Jump to Part 2

* Mill does not enlarge on this here. But it seems evident, that if a man cannot speak according to conscience lest someone hear him and be offended, he also cannot act according to conscience lest someone see him and be offended; and a man who cannot act according to conscience does not have liberty of conscience in any recognisable sense. See also Ralph Waldo Emerson on No Offence.

Précis

John Stuart Mill, the eminent Victorian philosopher, laid out three aspects of the principle of liberty. The first was liberty of conscience, in which he included freedom of speech. The second was liberty of tastes, to live our life however we please even if others are offended by it, so long as we extend to the same courtesy to them. (60 / 60 words)

Part Two

By Benjamin Haydon (1786–1846), via Wikimedia Commons. Licence: Public domain. Source

About this picture …

Detail from ‘The Anti-Slavery Society Convention, 1840’ by Benjamin Haydon (1786–1846), showing Henry Beckford, emancipated slave and abolitionist, among the delegates gathered in Exeter Hall, London, on June 12th–23rd, 1840. The meeting is being addressed by Thomas Clarkson (1760-1846), a prime mover in the campaign to end slavery throughout the British Empire, crowned with success seven years earlier. “A liberated slave, now a delegate,” wrote Haydon later “is looking up to Clarkson with deep interest ... this is the point of interest in the picture, and illustrative of the object in painting it, the African sitting by the intellectual European, in equality and intelligence”. Freedom to associate with like-minded people was the third of Mill’s principles of liberty.

THIRDLY, from this liberty of each individual, follows the liberty, within the same limits, of combination among individuals; freedom to unite, for any purpose not involving harm to others: the persons combining being supposed to be of full age, and not forced or deceived.

No society in which these liberties are not, on the whole, respected, is free, whatever may be its form of government and none is completely free in which they do not exist absolute and unqualified. The only freedom which deserves the name, is that of pursuing our own good in our own way, so long as we do not attempt to deprive others of theirs, or impede their efforts to obtain it. Each is the proper guardian of his own health, whether bodily, or mental or spiritual. Mankind are greater gainers by suffering each other to live as seems good to themselves, than by compelling each to live as seems good to the rest.*

Copy Book

* “Talk nonsense,” Razumihin bursts out to Pulcheria Alexandrovna in Fyodor Dostoevsky’s Crime and Punishment (1866), “but talk your own nonsense, and I’ll kiss you for it. To go wrong in one’s own way is better than to go right in someone else’s. In the first case you are a man, in the second you’re no better than a bird.”

Précis

Mill’s third liberty was liberty of association, the freedom to mix (or not) with whomsoever we wish. No state in which these three liberties are denied or curtailed is truly free, said Mill, and our common life benefits far more by agreeing to live and let live than by letting one caste mould the rest in their own image. (59 / 60 words)

Source

From ‘On Liberty’ (1858) by John Stuart Mill (1806-1873).

Suggested Music

1 2

Années de Pelerinage 2 (Italie)

Il Penseroso (Rodin’s ‘The Thinker’)

Franz Liszt (1811-1886)

Performed by Ksenia Nosikova (piano).

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Transcript / Notes

This piece of music was inspired by a statue of Lorenzo de’ Medici (1492-1519), Duke of Urbino, by sculptor Michelangelo (Michelangelo Buonarroti, 1545-1654), in the Duke’s tomb in the Medici Chapel, San Lorenzo, Florence. See a picture at Wikimedia Commons.

Années de Pelerinage 2 (Italie)

Canzonetta del Salvador Rosa

Franz Liszt (1811-1886)

Performed by Ksenia Nosikova (piano).

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Transcript / Notes

Vado ben spesso cangiando loco Ma non si mai cangiar desio. Sempre l’istesso sarà il mio fuoco E sarò sempre l’istesso anch’io.

Often I change my location But I shall never change my desire. The fire within me will always be the same And I myself will also always be the same.

Attributed to artist Salvator Rosa (1615-1673), said in 1824 by Irish novelist Sydney, Lady Morgan, to have participated in a revolt against Spanish rule in Naples in 1647, led by ‘Masaniello’ (Tommaso Aniello, 1620-1647). Since 1905, however, authorship of the song has been attributed to Italian composer Giovanni Battista Bononcini (1670-1747).

How To Use This Passage

You can use this passage to help improve your command of English.

IRead it aloud, twice or more. IISummarise it in one sentence of up to 30 words. IIISummarise it in one paragraph of 40-80 words. IVMake notes on the passage, and reconstruct the original from them later on. VJot down any unfamiliar words, and make your own sentences with them later. VIMake a note of any words that surprise or impress you, and ask yourself what meaning they add to the words you would have expected to see. VIITurn any old-fashioned English into modern English. VIIITurn prose into verse, and verse into prose. IXAsk yourself what the author is trying to get you to feel or think. XHow would an artist or a photographer capture the scene? XIHow would a movie director shoot it, or a composer write incidental music for it?

For these and more ideas, see How to Use The Copy Book.

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