
King William II of Scotland and III of England, by Godfrey Kneller (1646–1723), thought to be have been painted in about 1690, shortly after he came to the throne jointly with his wife Mary II. The ‘Glorious Revolution’ fostered a climate in which person and private property were so well secured from arbitrary Government intervention that the Industrial Revolution sprang into life as a direct consequence of it. On the other hand, William’s harsh reprisals for Jacobite resistance dealt lasting wounds to Irish society in particular, wounds that have never really healed.