Prince Albert regretted the destructive power of the Art Critic.
On May 3rd, 1851, Prince Albert spoke at a dinner in honour of the recently elected President of the Royal Academy, Sir Charles Lock Eastlake (1793-1865). The present company, the Prince admitted, were better placed to judge Sir Charles as an artist. But thanks to working so closely with him, he had learnt something about their new President that they might not know: how kindly he dealt with other artists.
Some years before the Elgin marbles were put on display in the British Museum, rising artist Benjamin Haydon got a sneak preview.
In 1808, young Benjamin Haydon was an up-and-coming painter with a passion for lifelike figures. He had spent long hours sprawled on the floor painstakingly copying anatomical drawings instead of courting well-to-do patrons, and his father had declared him mad. Haydon called himself only exasperated: his attempts to paint Roman hero Dentatus were going badly.
It is not educational institutions and methods that advance science or the arts, but people.
Holding a degree or some other officially-recognised paper qualification is not really a guarantee of very much; as Samuel Smiles repeatedly observed, there is no substitute for hands-on experience, the quirks of an interesting personality, and sheer determination.