Virtue in Rags and Patches

I BELIEVE that to lay one’s hand upon some of those rejected ones whom the world has too long forgotten, and too often misused, and to say to the proudest and most thoughtless — “These creatures have the same elements and capacities of goodness as yourselves, they are moulded in the same form, and made of the same clay; and though ten times worse than you, may, in having retained anything of their original nature amidst the trials and distresses of their condition, be really ten times better;” I believe that to do this is to pursue a worthy and not useless vocation.

Gentlemen, that you think so too, your fervent greeting sufficiently assures me. That this feeling is alive in the Old World as well as in the New, no man should know better than I — I, who have found such wide and ready sympathy in my own dear land. That in expressing it, we are but treading in the steps of those great master-spirits who have gone before, we know by reference to all the bright examples in our literature, from Shakespeare downward.

From ‘The Speeches of Charles Dickens by Charles Dickens (1812-1870). An account of the dinner may be found at The Library of Congress.
Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate his ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

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