Copy Book Archive

Virtue in Rags and Patches Charles Dickens explains to the young men of Boston MA what it is that motivates him to write.

In two parts

1842
Music: Francis Hopkinson and Johann Christian Bach

By Paul Sandy, via Wikimedia-Commons. Licence: Public domain. Source

About this picture …

‘The London Cries: A Tinker and his Wife’ by Paul Sandby (?1730-1809). Dickens told the young men of Boston, who had gathered in Tremond Row to salute the popular English author, that his purpose in writing was to find Virtue in lowly places. In his experience, Virtue and Vice were to be found at every level of society, not just among the polished elite. It was that outlook that led to him to admire the social mobility unleashed by America’s free market economy, and to scold British politicians for treating the public like a Great Baby.

Virtue in Rags and Patches

Part 1 of 2

In February 1842, Charles Dickens gave a speech in Boston, Massachusetts, before such literary greats as George Bancroft, Washington Allston and Oliver Wendell Holmes. In reply to the Chairman’s toast, Dickens shared with the company of some two hundred guests his thoughts on what drove him to write.

THE objects and purposes I have had in view are very plain and simple, and may be easily told. I have always had, and always shall have, an earnest and true desire to contribute, as far as in me lies, to the common stock of healthful cheerfulness and enjoyment.

I have always had, and always shall have, an invincible repugnance to that mole-eyed philosophy which loves the darkness, and winks and scowls in the light. I believe that Virtue shows quite as well in rags and patches, as she does in purple and fine linen. I believe that she and every beautiful object in external nature, claims some sympathy in the breast of the poorest man who breaks his scanty loaf of daily bread. I believe that she goes barefoot as well as shod. I believe that she dwells rather oftener in alleys and by-ways than she does in courts and palaces, and that it is good, and pleasant, and profitable to track her out, and follow her.

Jump to Part 2

Part Two

By Harold Copping, via Wikimedia-Commons. Licence: Public domain. Source

About this picture …

A scene from Charles Dickens’s ‘The Posthumous Papers of the Pickwick Club,’ painted by English artist Harold Copping (1863-1932). At the dinner in Boston, hosted at Papanti’s glittering ballroom in Tremont Row, Dickens read from this, his first novel, which had been published by Chapman & Hall in monthly installments between March 1836 and November 1837. Musical items included ‘Washington’s March’ and ‘God Save the King’ — some fifty-nine years after the end of The American Revolutionary War.

I BELIEVE that to lay one’s hand upon some of those rejected ones whom the world has too long forgotten, and too often misused, and to say to the proudest and most thoughtless — “These creatures have the same elements and capacities of goodness as yourselves, they are moulded in the same form, and made of the same clay; and though ten times worse than you, may, in having retained anything of their original nature amidst the trials and distresses of their condition, be really ten times better;” I believe that to do this is to pursue a worthy and not useless vocation.

Gentlemen, that you think so too, your fervent greeting sufficiently assures me. That this feeling is alive in the Old World as well as in the New, no man should know better than I — I, who have found such wide and ready sympathy in my own dear land. That in expressing it, we are but treading in the steps of those great master-spirits who have gone before, we know by reference to all the bright examples in our literature, from Shakespeare downward.

Copy Book

Source

From ‘The Speeches of Charles Dickens by Charles Dickens (1812-1870). An account of the dinner may be found at The Library of Congress.

Suggested Music

1 2

Washington’s March

Francis Hopkinson (1737-1791)

Performed by the US Marine Band.

Media not showing? Let me know!

Harpsichord Concerto Op. 1 No. 6 in D major (1763)

3. Allegro moderato (‘God Save the King’)

Johann Christian Bach (1735-1782)

Performed by the Hanover Band, conducted from the harpsichord by Anthony Halstead.

Media not showing? Let me know!

How To Use This Passage

You can use this passage to help improve your command of English.

IRead it aloud, twice or more. IISummarise it in one sentence of up to 30 words. IIISummarise it in one paragraph of 40-80 words. IVMake notes on the passage, and reconstruct the original from them later on. VJot down any unfamiliar words, and make your own sentences with them later. VIMake a note of any words that surprise or impress you, and ask yourself what meaning they add to the words you would have expected to see. VIITurn any old-fashioned English into modern English. VIIITurn prose into verse, and verse into prose. IXAsk yourself what the author is trying to get you to feel or think. XHow would an artist or a photographer capture the scene? XIHow would a movie director shoot it, or a composer write incidental music for it?

For these and more ideas, see How to Use The Copy Book.

Related Posts

for Virtue in Rags and Patches

Mediaeval History

The Harrying of the North

Charles Dickens laments William the Conqueror’s brutal rampage through rebellious Durham and Yorkshire.

Mediaeval History

Hereward the Wake

Charles Dickens tells the story of Hereward the Wake, the last Englishman to stand up to William the Conqueror.

Mediaeval History

Richard Unchained

A conspiracy of European monarchs sought to delay Richard the Lionheart’s homecoming long enough for John to steal his crown.

Mediaeval History

Fair Rosamund

Charles Dickens tells the story of King Henry II and the enchantingly beautiful Rosamund Clifford.

Extracts from Literature (597)
All Stories (1522)
Worksheets (14)
Word Games (5)