An equestrian statue of Maharani Laxmibai atop her burial place in Gwalior, India.

© Gyanendrasinghchauha, Wikimedia Commons. Licence: CC BY-SA 3.0.

Lakshmi Bai was Queen of Jhansi from 1843 to 1853, as wife of Maharaja Gangadhar Rao. When the Maharaja died in 1853, Lord Dalhousie, who was Governor-General of India on behalf of the East India Company, annulled the claims of the Maharaja’s adopted heir Damodar Rao and annexed Jhansi on the grounds that the royal line was extinguished, according to the Doctrine of Lapse. The queen, who from childhood had been proficient in horsemanship and swordsmanship, fought for her rights and rode into battle at the head of her army, but was wounded at Gwalior (now in Madhya Pradesh) and died on June 18th, 1858. Nehru gives her age as twenty; the date of her birth is uncertain and years from 1827 to 1835 may be found in modern sources.

The Indian Mutiny

This is the name of Lakshmi Bai, Rani of Jhansi, a girl-widow, twenty years of age, who donned a man’s dress and came out to lead her people against the British.* Many a story is told of her spirit and ability and undaunted courage. Even the English general who opposed her has called her the “best and bravest” of the rebel leaders.* She died while fighting.

The Revolt of 1857-58 was the last flicker of feudal India. It ended many things. It ended the line of the Great Moghal, for Bahadur Shah’s two sons* and a grandson were shot down in cold blood, without any reason or provocation, by an English officer, Hodson, as he was carrying them away to Delhi. Thus, ignominiously, ended the line of Timur* and Babar and Akbar.

The Revolt also put an end to the rule of the East India Company in India. The British Government now took direct charge, and the British Governor-General blossomed out into a Viceroy. Nineteen years later, in 1877, the Queen of England took the title of “Kaiser-i-Hind”, the old title of the Caesars and of the Byzantine Empire, adapted to India. The Moghal dynasty was no more. But the spirit and even symbols of autocracy remained, and another Great Moghal sat in England.

From ‘Glimpses of World History’ Volume 1 (1934) by Jawaharlal Nehru (1889-1964). It is subtitled ‘Being Further Letters to His Daughter, Written in Prison, and Containing a Rambling Account of History for Young People.’ Nehru was the first Prime Minister of India (1947-1964). Additional information from ‘Life of Field-Marshal Sir Neville Chamberlain’ (1909) by Sir George Forrest (1846-1926).

* Lakshmi Bai was Queen of Jhansi from 1843 to 1853, as wife of Maharaja Gangadhar Rao. Jhansi was a small city-state located in what is now the southwest corner of Uttar Pradesh in northern India.

* This was Field Marshal Hugh Henry Rose (1801-1885), 1st Baron Strathnairn. “Rani Laxmibai is personable, clever and beautiful” he is recorded as saying. “Above it, she is the most dangerous of all Indian leaders.” That being the case, it might have been wiser to leave Jhansi in her capable hands.

* This should read ‘two of Bahadur Shah’s sons’, since he had many sons by many women though he had only one wife, Zeenat Mahal (1823-1886). When he went into exile after the Mutiny, two of his surviving sons and his wife went with him. The rebels had themselves treated him very badly, enacting their own policies in his name; but the British took a high-minded line with him which their own actions did not come close to justifying.

* Timur (1336-1405) is the Tamerlane of English literature, a ferocious fourteenth-century warlord from Samarkand in what is now Uzbekistan, who ravaged India and whose descendants sat on the throne of Delhi. See posts tagged Timur (Tamerlane).

Précis
One heroic exception was Lakshmi Bai, Rani of Jhansi, a young widow who fell, wearing a warrior’s dress, while leading from the front. However, the rebellion was suppressed and the British moved swiftly to prevent any repeat. Control of India was transferred from the Company to the Crown, and Queen Victoria sat upon the throne of the Mughal Emperors.
Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate his ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

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