Copy Book Archive

The Most Perfect State of Civil Liberty Chinese merchant Lien Chi tells a colleague that English liberties have little to do with elections, taxes and regulations.

In two parts

1760
King George III 1760-1820
Music: Sir George Macfarren

Pierre Prévost (1764–1823), via Wikimedia Commons. Licence: Public domain. Source

About this picture …

‘A Panoramic View of London’ by Pierre Prévost (1764–1823), painted in 1815, and showing Houses of Parliament as Goldsmith knew them; a devastating fire destroyed these buildings in 1834. Goldsmith did not believe that English liberty depended on Parliament’s wise deliberations. It depended on allowing ordinary people to exercise discretion, and on the authorities imposing discipline only when matters seemed to be getting out of hand. Journalist A. G. Gardiner offered similar advice to an over-zealous bus conductor. See The Letter of the Law.

The Most Perfect State of Civil Liberty

Part 1 of 2

In a fictional ‘letter’, supposedly by Chinese merchant Lien Chi, Oliver Goldsmith argued that England felt more free than other countries because minor transgressions were winked at until they become too great for safety. On the Continent they maybe had simpler laws and more democracy, but they also had more meddlesome, self-righteous and prying governments.

IN England, from a variety of happy accidents, their constitution is just strong enough, or if you will, monarchical enough, to permit a relaxation of the severity of laws, and yet those laws still to remain sufficiently strong to govern the people. This is the most perfect state of civil liberty, of which we can form any idea: here we see a greater number of laws than in any other country, while the people at the same time obey only such as are immediately conducive to the interests of society; several are unnoticed, many unknown; some kept to be revived and enforced upon proper occasions, others left to grow obsolete, even without the necessity of abrogation.

There is scarce an Englishman who does not almost every day of his life offend with impunity against some express law, and for which, in a certain conjuncture of circumstances, he would not receive punishment. Gaming-houses, preaching at prohibited places, assembled crowds, nocturnal amusements, public shows, and an hundred other instances, are forbid and frequented.

Jump to Part 2

Précis

In the person of a Chinese merchant explaining to a colleague what made England so free, Oliver Goldsmith argued that it was not a lack of laws but a culture in which ordinary citizens could to some extent dispense themselves from laws they found irksome. He traced this liberty to Britain’s unique constitutional blend of democracy and monarchy. (58 / 60 words)

Part Two

By Issac Cruikshank, from the British Museum via Wikimedia Commons. Licence: Public domain. Source

About this picture …

‘A group at Bath,’ a print by Isaac Cruikshank published in 1796. Goldsmith gave gambling as an example of one of those vices which could be winked it so long as it did not get out of hand, in which case the law was there to protect society from the consequences. He would have disapproved as strongly of the legalisation of gambling as he would of its zealous policing.

THESE prohibitions are useful; though it be prudent in their magistrates, and happy for the people, that they are not enforced, and none but the venal or mercenary attempt to enforce them. The law in this case, like an indulgent parent, still keeps the rod, though the child is seldom corrected. Were those pardoned offences to rise into enormity, were they likely to obstruct the happiness of society, or endanger the state, it is then that justice would resume her terrors, and punish those faults she had so often overlooked with indulgence. It is to this ductility of the laws, that an Englishman owes the freedom he enjoys superior to others in a more popular government.

Every popular government seems calculated to last only for a time; it grows rigid with age, new laws are multiplying, and the old continue in force; the subjects are oppressed, burthened with a multiplicity of legal injunctions; there are none from whom to expect redress, and nothing but a strong convulsion in the state can vindicate them into former liberty.*

Copy Book

* ‘Popular’ here is not used in the sense of ‘widely liked’ but in the sense of a government in which the general public, as opposed to a closed political class, plays a dominant role in making policy. Goldsmith was one of a number of English political writers who welcomed a degree of popular government as a brake on the Crown, but feared the consequences of too much. Another Irishman, William Lecky (1838-1903), foresaw a day when a deluded public might even vote for a dictator, which Germany did in 1933. See Democracy in Europe.

Précis

Of course (Goldsmith added) if the relaxed attitude to regulation began to cause harm to wider society, then magistrates still retained the power to exact punishment. This was, however, not an option in Continental countries, where their forms of government piled on more and more regulations and rigorously enforced them — a state of affairs he could not see lasting long. (61 / 60 words)

Source

Abridged from ‘The Works of Oliver Goldsmith’ Vol. II (1851) by Oliver Goldsmith (1728-1774).

Suggested Music

1 2

Overture ‘She Stoops to Conquer’

Sir George Macfarren (1813-1887)

Performed by the Victorian Opera Orchestra, conducted by Richard Bonynge.

Media not showing? Let me know!

Overture ‘Robin Hood’

Sir George Macfarren (1813-1887)

Performed by the John Powell Singers and Victorian Opera Chorus, with the Victorian Opera Orchestra conducted by Ronald Corp.

Media not showing? Let me know!

How To Use This Passage

You can use this passage to help improve your command of English.

IRead it aloud, twice or more. IISummarise it in one sentence of up to 30 words. IIISummarise it in one paragraph of 40-80 words. IVMake notes on the passage, and reconstruct the original from them later on. VJot down any unfamiliar words, and make your own sentences with them later. VIMake a note of any words that surprise or impress you, and ask yourself what meaning they add to the words you would have expected to see. VIITurn any old-fashioned English into modern English. VIIITurn prose into verse, and verse into prose. IXAsk yourself what the author is trying to get you to feel or think. XHow would an artist or a photographer capture the scene? XIHow would a movie director shoot it, or a composer write incidental music for it?

For these and more ideas, see How to Use The Copy Book.

Related Posts

for The Most Perfect State of Civil Liberty

The British Constitution

Wait and See

Edmund Burke urged Englishmen not to congratulate the French revolutionaries on their new-found liberty until they knew what they would do with it.

American Revolutionary War

English Spirit

Edmund Burke told the House of Commons that the American colonies’ refusal to be dictated to by Westminster was the very spirit that had made the Empire great.

Modern History

The Power of Balance

George Canning warned the Commons to be very careful about their plans for reform.

International Relations

The Spectatress

George Canning urged Britain not to bring Continental Europe’s topsy-turvy politics home by getting too closely involved.

The British Constitution (32)
All Stories (1522)
Worksheets (14)
Word Games (5)