Copy Book Archive

The Hare and Many Friends John Gay reflects that in matters of friendship, quality is preferable to quantity.

In two parts

1727
King George II 1727-1760
Music: John Gay and Johann Christoph Pepusch

By Bruno Liljefors (1860–1939), via Wikimedia Commons. Licence: Public domain. Source

A winter hare, by Bruno Liljefors (1860-1939).

The Hare and Many Friends

Part 1 of 2

This little Fable may look like one of Aesop’s ancient morality tales but it was composed by English poet and dramatist John Gay, remembered today for his Beggar’s Opera of 1728. Gay was one of those investors caught out by the South Sea Bubble, and discovered that in Georgian London being popular with the rich and famous was by no means a guarantee against hardship.

FRIENDSHIP, like love, is but a name,
Unless to one, you stint the flame.
The child, whom many fathers share,
Hath seldom known a father’s care.
’Tis thus in friendships; who depend
On many, rarely find a friend.

A Hare who, in a civil way,
Complied with everything, like GAY,*
Was known by all the bestial train
Who haunt the wood or graze the plain;
Her care was never to offend,
And every creature was her friend.

As forth she went, at early dawn,
To taste the dew-besprinkled lawn,
Behind, she hears the hunter’s cries,
And from the deep-mouth’d thunder, flies:
She starts, she stops, she pants for breath;
She hears the near advance of death;
She doubles to mislead the hound,
And measures back her mazy round,
Till, fainting in the public way,
Half dead with fear, she gasping lay.

What transport in her bosom grew,
When first the Horse appear’d in view!

“Let me,” says she, “your back ascend,
And owe my safety to a friend.
You know my feet betray my flight:
To friendship every burden’s light.”

The Horse replied, “Poor honest puss,
It grieves my heart to see thee thus:
Be comforted, relief is near,
For all your friends are in the rear.”

Jump to Part 2

* John Gay was one of thousands who invested in the South Sea Company’s scheme, launched in 1719 amidst a frenzy of publicity and backed by many of the country’s most distinguished politicians, to pay down a huge national debt racked up by Britain’s military adventures around the world. It failed spectacularly — as it deserved to, because one of the chief sources of revenue was Britain’s monopoly on the Atlantic slave trade, recently acquired from Spain. See The South Sea Bubble. Gay lost heavily, and feeling abandoned by his celebrity friends he wrote this little Fable in reproof.

* Nowadays ‘puss’ is familiar as a term of endearment for a cat, but in Gay’s time it was used for a hare, a popular domestic pet. Poet William Cowper (1731-1800) kept three hares, as a cure for depression: Puss, Bess and Tiney.

Précis

Upset over the way his friends had abandoned him, dramatist John Gay told a tale in verse about a popular Hare who, exhausted by her desperate flight from the hunt, appealed to each of her friends in turn for help. The first to pass by was the Horse, who said encouragingly that the Hare had plenty of other friends. (59 / 60 words)

Part Two

By Bruno Liljefors (1860–1939), via Wikimedia Commons. Licence: Public domain. Source

Peasant hunter in a winter landscape, by Bruno Liljefors (1860-1939).

She next the stately Bull implored;
And thus replied the mighty lord:
“That I sincerely wish you well;
I may, without offence, pretend
To take the freedom of a friend.
Love calls me hence; a favourite cow
Expects me near yon barley-mow;
And when a lady’s in the case,
You know all other things give place.
Since every beast alive can tell
To leave you thus might seem unkind,
But see, the Goat is just behind.”

The Goat remark’d her pulse was high,
Her languid head, her heavy eye:
“My back,” says he,may do you harm;
The Sheep’s at hand, and wool is warm.”
The Sheep was feeble, and complain’d
His sides a load of wool sustain’d;
Said he was slow; confess’d his fears;
For hounds eat sheep as well as Hares.

She now the trotting Calf address’d,
To save from death a friend distress’d:
“Shall I,” says he, “of tender age,
In this important care engage?
Older and abler pass’d you by;
How strong are those! how weak am I!
Should I presume to bear you hence,
Those friends of mine may take offence.
Excuse me, then: you know my heart;
But dearest friends, alas! must part.
How shall we all lament! Adieu,
For see, the hounds are just in view.”

Copy Book

Précis

A Bull pleaded that he would be no gentleman if he kept his Cow waiting; the Goat said he was too uncomfortable a ride; a frightened sheep grumbled about his heavy fleece; and after a Calf said he was too young to question the unanimous judgment of his elders, the Hare was left to face the hunt alone. (58 / 60 words)

Source

As given in ‘The Fables of John Gay’ (1889) by John Gay (1685-1732).

Suggested Music

The Beggar’s Opera

Act 1: Air XVI: Over the Hills and Far Away

John Gay (1685-1732) and Johann Christoph Pepusch (1667-1752)

Performed by the Broadside Band.

Media not showing? Let me know!

The Beggar’s Opera

Act 1: Air XVI: Over the Hills and Far Away

John Gay (1685-1732) and Johann Christoph Pepusch (1667-1752)

Performed by the Broadside Band.

Media not showing? Let me know!

How To Use This Passage

You can use this passage to help improve your command of English.

IRead it aloud, twice or more. IISummarise it in one sentence of up to 30 words. IIISummarise it in one paragraph of 40-80 words. IVMake notes on the passage, and reconstruct the original from them later on. VJot down any unfamiliar words, and make your own sentences with them later. VIMake a note of any words that surprise or impress you, and ask yourself what meaning they add to the words you would have expected to see. VIITurn any old-fashioned English into modern English. VIIITurn prose into verse, and verse into prose. IXAsk yourself what the author is trying to get you to feel or think. XHow would an artist or a photographer capture the scene? XIHow would a movie director shoot it, or a composer write incidental music for it?

For these and more ideas, see How to Use The Copy Book.

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