Copy Book Archive

Hearts of Steel The Maharaja of Jodhpur called on his subjects to do their bit and stop the Nazis.

In two parts

1942
King George VI 1936-1952
Music: Sir William Walton

© Towpilot, Wikimedia Commons. Licence: CC BY-SA 3.0. Source

About this picture …

A de Havilland H82A Tiger Moth. Umaid Singh was a keen airman, whose appointment as Air Commodore in 1939 and Air Vice-Marshal in 1945 was not mere courtesy. He founded some twenty-three airstrips in Jodhpur, which he enjoyed subjecting to unannounced drop-in (literally) inspections. One of them was JFC Air Force Station, established in 1923: by 1938 it had grown from a couple of Tiger Moth training planes to handling civil aircraft for Air France, KLM and Imperial Airways. See High-flyer: The maharaja who pioneered Indian aviation (Times of India).

Hearts of Steel

Part 1 of 2

On May 15th, 1942, Maharaja Sir Umaid Singh of Jodhpur spoke at the inauguration of the National War Front in Jodhpur. Already many thousands of Indians had volunteered to help stop Nazi Germany from taking Britain’s place as India’s Presiding Power, and now His Highness addressed himself to those left behind.

“SONS and Daughters of Marwar!* My words to you on this occasion will be few, for the perilous times we live in call for deeds and not words.*

“Up to now many millions of us in India have watched the war from afar; we have sat in safe security while our troops and those of our Allies have fought bravely to keep the brutal invader from our shores. But the time has come for all of us to give more help and we must be prepared for the worst. I want you to assist the war effort in every way you can; to steel your hearts to resolution and courage.

Jump to Part 2

The Princely State of Jodhpur, within the Rajputana Agency of British India, was formerly the Kingdom of Marwar. The Maharaja’s affection towards the British Crown was very much mutual, founded on the trust established by Colonel James Tod: see The Quiet Kingdom.

Umaid Singh was a man of foresight, more so than many in Westminster. On September 17th, 1938, days before Neville Chamberlain brokered the worthless Munich Agreement, the Maharaja sent a telegram to King George VI pledging his ‘unflinching loyalty’, and added: ‘I beg further to offer my personal services unreservedly and to place all the resources of my State, both Civil and Military, at the disposal of the Imperial Government in the event of war breaking out.’

Précis

In 1942, three years after the start of the Second World War, the Maharaja of Jodhpur in India, Umaid Singh, issued an appeal to all his subjects, asking them to do all they could to support the Allied cause, and in particular the many Indian troops at the front, to keep Nazi Germany from acquiring India. (55 / 60 words)

Part Two

Imperial War Museums Collection, via Wikimedia Commons. Licence: Public domain. Source

About this picture …

Flying Officer P. C. Ramachandran stands beside his aircraft, prior to a test flight in England, 1942. The supercilious Nazis assumed that India’s princes would turn against Britain, being either nostalgic dreamers or weak-minded puppets who would serve any master for a price. By contrast, the British had over the years acquired a healthy respect for their integrity and progressive governance which sometimes bordered on awe: see Mysore’s Golden Age. The Germans had grossly miscalculated, and it cost them dearly.

“THERE are many ways in which you can help. You can set aside your quarrels for a time and stand united. You can help to maintain calm and confidence by refusing to credit alarmist rumours and false reports. You can join in war activities of various kinds.

“This is a hard and bitter test, but we are, I firmly believe, going to win through to victory and peace. Let it be our boast in the peaceful years to come that we, every one of us,* did something to secure the Victory and peace which we hope our children and grand-children will enjoy.”

Copy Book

Umaid Singh practised what he preached. He used his beloved Jodhpur Flying Club as a RAF training centre, and made his property at Juhu near Bombay available as a ‘holiday resort’ for the RAF. A special train toured the Rajputana States, educating the public on the war; the railway trained mechanics, and transported munitions, tools and building materials for the construction of airfields; it also repaired and manufactured items for the RAF and USAF, and contributed locomotives and rolling stock to the war effort. Railway employees raised money to buy aircraft; the Jodhpur Red Cross raised money for medical supplies; and English ladies at Jodhpur opened a canteen and not-for-profit shop for servicemen, selling Indian-made goods for them to send home as Christmas presents — though the Maharaja made a point of buying lavish presents for the RAF servicemen himself.

Précis

The Maharaja suggested ways that non-combatants could help the war effort, from giving no heed to enemy propaganda or defeatist talk, to manufacturing arms and distributing medical supplies. He emphasised that Indians owed it to their children to be able to say that they had done everything they could could secure peace and prosperity in their land. (57 / 60 words)

Source

From ‘History of the Jodhpur State Forces in the War, 1939-45’ (1946), by Major-General R. C. Duncan. Additional information from ‘Jodhpur’s Contribution to Victory’ (1945), by Jodhpur State.

Suggested Music

1 2

Battle of Britain (Arr. B. Hingley)

Spitfire music / Battle in the air

Sir William Walton (1902-1983)

Performed by the Central Band Of The Royal Air Force.

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Battle of Britain

Battle of Britain March

Sir William Walton (1902-1983)

Performed by the Central Band Of The Royal Air Force.

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How To Use This Passage

You can use this passage to help improve your command of English.

IRead it aloud, twice or more. IISummarise it in one sentence of up to 30 words. IIISummarise it in one paragraph of 40-80 words. IVMake notes on the passage, and reconstruct the original from them later on. VJot down any unfamiliar words, and make your own sentences with them later. VIMake a note of any words that surprise or impress you, and ask yourself what meaning they add to the words you would have expected to see. VIITurn any old-fashioned English into modern English. VIIITurn prose into verse, and verse into prose. IXAsk yourself what the author is trying to get you to feel or think. XHow would an artist or a photographer capture the scene? XIHow would a movie director shoot it, or a composer write incidental music for it?

For these and more ideas, see How to Use The Copy Book.

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