John Milton shows his appreciation for noble words and music in uplifting harmony.
Milton’s celebration of noble poetry set to music, which he presents as an echo of the music of heaven itself, is couched in terms of the Sirens of Greek mythology, two mysterious winged women hidden in cliff-tops whose enchanting song drew sailors irresistibly.
A tenth-century Greek monk is joined by a total stranger for Mattins.
In the days of St Dunstan (r. 959-988), Archbishop of Canterbury to King Ethelred the Unready, over in Greece an otherwise comfortably obscure fellow monk – we still do not know his name – was entertaining a guest of even greater royalty.
Anglo-Saxon poet Cynewulf paints a word-picture of heaven and the seraph-band that swoops and soars before the throne.
Cynewulf (possibly the 8th century bishop Cynewulf of Lindisfarne) lets his raptures flow on the Seraphim, the angels described by Isaiah, Ezekiel and St John the Divine; the singing angels, who surround the throne of God in heaven.