Music and Musicians
Posts in The Copybook tagged ‘Music and Musicians’
Sir Hubert Parry advised students at the Royal College of Music to respect their teachers, but to think for themselves too.
In 1918, Sir Hubert Parry reminded students at the Royal College of Music that their teachers were not there to tell them how to play music, but to tell them how other people play music. Putting that knowledge to good artistic use must be, even for students, a very personal affair.
Sir Hubert Parry explained to students at the Royal College of Music that some mistakes are creative whereas others are destructive.
Addressing students at the Royal College of Music in January 1918, Sir Hubert Parry distinguished two kinds of mistake, the mistakes we make when we seize our responsibilities as free men and women a little clumsily, and the mistakes we make when we lazily follow whatever the fashionable thinking may be.
An innovative English composer who did not live to fulfil his extraordinary promise.
George Pinto (1785-1806) was a promising talent on the violin and the piano, and an innovative composer exciting the admiration of some of the country’s most prominent musicians. His early death robbed England of a rare talent, leaving it to more famous names to rediscover some of his genius on their own.
Sir Hubert Parry was delighted to see teachers and pupils pushing each other to do better.
In an address to the students of the Royal College of Music in April 1918, Sir Hubert Parry said they were fortunate that when the College was founded in 1882, teachers were beginning to understand that the young respond better to respect and persuasion than to drill-ground severity.
That infernal nonsense ‘Pinafore’ took America by storm.
Gilbert and Sullivan’s ‘HMS Pinafore’ (1878) was surprisingly slow to get going in England, picking up speed only after Hamilton Clarke arranged some numbers for orchestra and military band at the Proms in Covent Garden. In America, however, it was a smash hit right from the start, though some people tired of it sooner than others.
Ethel Smyth puts on a show for a self-declared music enthusiast.
Ethel Smyth (to rhyme with ‘blithe’) came home to England in 1880 after winning many friends among the musical celebrities of Leipzig, and found that she had become something of a celebrity herself. It took a visit from a neighbour to remind her that whether you are a Smyth or a Schubert, ‘celebrity’ is a relative term.