Georgian Era

Posts in The Copybook tagged ‘Georgian Era’

223
The Harmonious Blacksmith Clay Lane

Handel called it ‘Air and Variations’, but by Charles Dickens’s day everyone knew it as ‘The Harmonious Blacksmith’.

‘The Harmonious Blacksmith’ wasn’t the name given to this piece by Handel; so how did it get it?

Read

224
Zadok the Priest Clay Lane

Handel’s anthem sets to glorious music words sung at English coronations for over a thousand years.

George Frederic Handel’s anthem ‘Zadok the Priest’, shamelessly plagiariased for UEFA’s ‘Champions League Anthem’, has been part of every coronation in England since 1727, and the words were chosen by a saint over a thousand years ago.

Read

225
The Story of Handel’s ‘Water Music’ Clay Lane

Handel’s German boss fired the composer for spending all his time in London. When they met again, it was... rather awkward.

George Frideric Handel was employed to write music for the court of George, Elector of Hanover in Germany. He preferred, however, to live in London and write music for Queen Anne.

Read

226
The Story of ‘Messiah’ Clay Lane

The first thing George Frideric Handel’s oratorio ‘Messiah’ did was to set a hundred and forty-two prisoners free.

George Frideric Handel’s Oratorio ‘Messiah’ tells the story of the life, death and resurrection of Jesus Christ, entirely through quotations from the Bible. Its premiere was given in Dublin during the Lenten fast, and from the very beginning it touched hearts and changed lives.

Read

227
A Touch of Silk Clay Lane

A Dubliner with a roving eye and a gift for melody, John Field challenged Europe’s pianists to demand more of themselves.

John Field (1782-1837) was an Irish composer admired by both Chopin and Liszt, who may be considered the ‘father’ of the great piano tradition of Russia. His legendary and enviable silken touch at the piano changed the way the instrument was played all over Europe.

Read