Music and Musicians
Posts in The Copybook tagged ‘Music and Musicians’
Ethel Smyth encouraged writers to try to find their own words before deciding to borrow someone else’s.
In her book of essays ‘Streaks of Life’, composer Dame Ethel Smyth (rhymes with Forsyth) was unusually severe on the Quotation Freak, the writer who borrows phrases from more famous authors simply to save himself the trouble of turning his own.
Leopold Mozart was eager to win the hearts of the English, and thought he knew just the way to do it.
In 1763-64, Leopold Mozart spent fifteen months in England with his daughter Maria Anna (‘Nannerl’) and son Wolfgang, who turned nine during the visit. Leopold was much taken with King George III and Queen Charlotte, who treated the Mozarts like family, and he told his friend Johann Lorenz von Hagenauer, an Austrian businessman, that he was eager to win the affection of the English people too.
Former slave Ignatius Sancho complained that Britain was denying to Africa the free trade and Christian principles she so badly needed.
In 1778, Ignatius Sancho (1729-1782) wrote a letter to Jack Wingrave, son of his friend John, a London bookseller. Jack’s experiences in Bombay had prejudiced him against the locals, but Sancho reminded him that Britain had promised her colonies free trade and Christian principles, and given them neither.
Charles Villiers Stanford found it necessary to play dumb on a visit to snowy Leipzig.
Composer Sir Charles Villiers Stanford has been reminiscing about his time in Germany, and the devotees of ‘Mensur’, academic fencing. They were nothing if not courageous, taking a baffling pride in the scars; but they hung like a sword of Damocles over the heads of the merely careless, as Stanford discovered for himself on a visit to Leipzig in 1875.
A benevolent lecturer has to persuade a class of restless girls to stay inside on a rainy day.
John Ruskin’s ‘Ethics of the Dust’ is a series of classroom dialogues inspired by the famous art critic’s visits to Winnington Hall, a girls’ school near Northwich in Cheshire, where he taught Scripture, geology and art, and oversaw cricket matches. Pianist Sir Charles Hallé performed for the girls too, and would surely have enjoyed Ruskin’s musical analogy.
Several English pianists impressed Joseph Haydn on his visits to London, but Maria Hester Park was a particular favourite.
What sort of piano music should we imagine Elizabeth Bennet playing in the drawing rooms of Longbourn and Meryton? The only name dropped in Jane Austen’s novels is John Baptist Cramer, but we do know of other widely published composers of the day; several were women, and one of the most celebrated was Maria Hester Park, née Reynolds.