What the Signalman Saw

“I RAN out again, faster than I had run in (for I had a mortal abhorrence of the place upon me), and I looked all round the red light with my own red light, and I went up the iron ladder to the gallery atop of it, and I came down again, and ran back here. I telegraphed both ways: ‘An alarm has been given. Is anything wrong?’ The answer came back, both ways: ‘All well.’”

Resisting the slow touch of a frozen finger tracing out my spine, I showed him how that this figure must be a deception of his sense of sight. “As to an imaginary cry,” said I, “do but listen for a moment to the wind in this unnatural valley while we speak so low, and to the wild harp it makes of the telegraph wires!”

That was all very well, he returned. But he would beg to remark that he had not finished.

Abridged from ‘Mugby Junction’, by Charles Dickens.
Précis
The signalman searched not only the tunnel but the signal outside it, still without finding anyone. He communicated with colleagues up and down the line, but they reported nothing to warrant the mysterious figure’s frantic warnings of disaster. The narrator of the tale began to rationalise it all, but it seemed that there was more to hear.
Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate his ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

Sevens

Suggest answers to this question. See if you can limit one answer to exactly seven words.

What did the signalman do after searching the tunnel?

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