Silas Marner Misses his Gold

HE searched in every corner, he turned his bed over, and shook it, and kneaded it; he looked in his brick oven where he laid his sticks. When there was no other place to be searched, he kneeled down again and felt once more all round the hole. There was no untried refuge left for a moment’s shelter from the terrible truth.

Yes, there was a sort of refuge which always comes with the prostration of thought under an overpowering passion: it was that expectation of impossibilities, that belief in contradictory images, which is still distinct from madness, because it is capable of being dissipated by the external fact. Silas got up from his knees trembling, and looked round at the table: didn’t the gold lie there after all? The table was bare. Then he turned and looked behind him — looked all round his dwelling, seeming to strain his brown eyes after some possible appearance of the bags where he had already sought them in vain. He could see every object in his cottage — and his gold was not there.

Again he put his trembling hands to his head, and gave a wild ringing scream, the cry of desolation.

From ‘Silas Marner’ (1861), by George Eliot (1819-1880). George Eliot was the pen-name of Mary Ann Evans.

Précis
A feverish search of his house follows, from workroom to bedroom, but reveals no coins. For a moment, his mind still refuses to accept what his senses tell him, but it is a last flicker of fading hope, not a settled delusion. Reason at last acknowledges that the coins are quite gone, and Silas lets out an anguished cry.
Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate her ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

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