‘Boy Cutting a Stick’ by George Clausen.

By George Clausen (1852–1944). Wikimedia Commons. Public domain.

‘Boy Cutting a Stick’, by George Clausen (1852–1944). Maggie’s elder brother Tom has a wonderful time hacking at her hair with a pair of scissors, but Maggie was not having so much fun. She was attempting to demonstrate independence and assert identity: the fact that Tom only roared with laughter threw her into tearful confusion. The chorus of reproach at the dinner table was all she expected, and might have been more than she could bear but for her father. “Come, come, my wench,” said her father, soothingly, putting his arm round her, “never mind; you was i’ the right to cut it off if it plagued you; give over crying; father’ll take your part.”

One Delicious Grinding Snip

One delicious grinding snip, and then another and another, and the hinder-locks fell heavily on the floor, and Maggie stood cropped in a jagged, uneven manner, but with a sense of clearness and freedom, as if she had emerged from a wood into the open plain.

“Oh, Maggie,” said Tom, jumping round her, and slapping his knees as he laughed, “Oh, my buttons! what a queer thing you look! Look at yourself in the glass; you look like the idiot we throw our nutshells to at school.”

Maggie felt an unexpected pang. She had thought beforehand chiefly at her own deliverance from her teasing hair and teasing remarks about it, and something also of the triumph she should have over her mother and her aunts by this very decided course of action; she didn’t want her hair to look pretty, — that was out of the question, — she only wanted people to think her a clever little girl, and not to find fault with her. But now, when Tom began to laugh at her, and say she was like an idiot, the affair had quite a new aspect. She looked in the glass, and still Tom laughed and clapped his hands, and Maggie’s cheeks began to pale, and her lips to tremble a little.

From ‘The Mill on the Floss’ (1860), by George Eliot (1819-1880). George Eliot was the pen-name of Mary Ann Evans.

Précis
Tom began gleefully shearing Maggie’s back hair, and as the black locks dropped she felt at first a sense of release. But soon Maggie was thinking differently. She had assumed her defiance would make her family take her seriously, but Tom found it all only comical, and a wave of tearful regret swirled over her.
Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate her ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

Sevens

Suggest answers to this question. See if you can limit one answer to exactly seven words.

What did Tom think of Maggie’s new haircut?

Suggestion

He declared he found it highly comical.

Jigsaws

Express the ideas below in a single sentence, using different words as much as possible. Do not be satisfied with the first answer you think of; think of several, and choose the best.

Maggie wanted people to think her clever. Tom kept laughing at her. She realised they wouldn’t.

See if you can include one or more of these words in your answer.

IFunny. IIImpress. IIIPlain.

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