One delicious grinding snip, and then another and another, and the hinder-locks fell heavily on the floor, and Maggie stood cropped in a jagged, uneven manner, but with a sense of clearness and freedom, as if she had emerged from a wood into the open plain.
“Oh, Maggie,” said Tom, jumping round her, and slapping his knees as he laughed, “Oh, my buttons! what a queer thing you look! Look at yourself in the glass; you look like the idiot we throw our nutshells to at school.”
Maggie felt an unexpected pang. She had thought beforehand chiefly at her own deliverance from her teasing hair and teasing remarks about it, and something also of the triumph she should have over her mother and her aunts by this very decided course of action; she didn’t want her hair to look pretty, — that was out of the question, — she only wanted people to think her a clever little girl, and not to find fault with her. But now, when Tom began to laugh at her, and say she was like an idiot, the affair had quite a new aspect. She looked in the glass, and still Tom laughed and clapped his hands, and Maggie’s cheeks began to pale, and her lips to tremble a little.
From ‘The Mill on the Floss’ (1860), by George Eliot (1819-1880). George Eliot was the pen-name of Mary Ann Evans.