Shelley was a passionate idealist, atheist, and philosophical radical. Famous for lyric masterpieces such as Ozymandias, Ode to the West Wind, and Prometheus Unbound, his work combined visionary beauty with fierce political radicalism, influencing social movements and poetry long after his tragic death at the age 29. His wife Mary was a novelist known today for the story of Frankenstein.
Main Text
The statue of Pharaoh Rameses II (r. 1279–1213 BC) at Thebes was called the tomb of Ozymandias by ancient historian Diodorus Siculus. In 1816, the bust of Rameses was removed and arrived for display in London in March 1818. In keen anticipation, Percy Shelley and Horace Smith held a friendly writing contest, to see who could write the best short verse on the historic sculpture. This is Shelley’s contribution, published in The Examiner No. 524 (January 11, 1818) under the byline Glirastes.
Ozymandias
I met a traveller from an antique landIMET a traveller from an antique land
Who said: “Two vast and trunkless legs of stone Stand in the desert. Near them, on the sand, Half sunk, a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things, The hand that mocked them and the heart that fed: And on the pedestal these words appear: ‘My name is Ozymandias, king of kings: Look on my works, ye Mighty, and despair!’ Nothing beside remains. Round the decay Of that colossal wreck, boundless and bare The lone and level sands stretch far away.”
Think and Speak
From a ’Fifties Classroom
Use in sentences (1) as a noun and (2) as a verb:
decay
despair
frown
sneer
stamp
wreck.
For the Writer In You
A Test of Good Writing
The test of good writing is a simple one. If a sentence puzzles or startles you, pull it to pieces. If it is good writing, then the harder you pull, the more tightly you will discover it to be woven together, and the more closely you examine it, the more meaning it will yield. But if it tumbles to bits easily — if you find its syntax dislocated, its epithets imprecise, its meaning vague or contradictory — then it is bad, and should be quickly thrown into the dustbin of oblivion; one should not keep rubbish lying about in the house of the mind.
Dorothy L. Sayers, ‘Plain English’, in Unpopular Opinions (1946)