Ye’re Nae Smith!

While thus engaged a party of the Douglas partisans entered the smithy. They looked with suspicion on the disguised hammerman, who, in his agitation, struck a false blow with the sledge hammer, which broke the shaft in two. Upon this, one of the pursuers rushed at him, calling out, “Ye’re nae smyth!”

The stalwart hammerman turned upon his assailant, and, wrenching a dagger from him, speedily overpowered him. The smith himself, armed with a big hammer, effectually aided in overpowering and driving out the Douglas men. A party of the royal forces made their appearance, when Naesmyth rallied them, led them against the rebels, and converted what had been a temporary defeat into a victory.

From ‘James Nasmyth, Engineer: An Autobiography’ (1883), by James Nasmyth (1808-1890), with Samuel Smiles (1812-1904).
Précis
The Douglases combed the village for their quarry, and did not neglect the forge. They soon saw through his disguise, and cried out accusingly ‘Ye’re nae smith!’. But he turned the tables on them, and led a fightback that brought victory out of defeat. Ever after, his heirs called themselves Naesmyth in honour of that day in the forge.
Questions for Critics

1. What is the author aiming to achieve in writing this?

2. Note any words, devices or turns of phrase that strike you. How do they help the author communicate his ideas more effectively?

3. What impression does this passage make on you? How might you put that impression into words?

Based on The English Critic (1939) by NL Clay, drawing on The New Criticism: A Lecture Delivered at Columbia University, March 9, 1910, by J. E. Spingarn, Professor of Comparative Literature in Columbia University, USA.

Read Next

The Siege of Saint-James

Henry VI’s campaign to confirm himself as King of France looked to be in trouble after the Duke of Brittany switched sides.

Say ‘Shibboleth!’

Jephthah’s sentries at the crossings of Jordan devise a fool-proof way to tell friend from foe.

The Old House

In the opening lines of The Cuckoo Clock, Mrs Molesworth paints a word-picture of a house so old that Time itself seemed to have stopped.