Sir Charles Villiers Stanford
Posts in The Copybook credited to ‘Sir Charles Villiers Stanford’
In The Copybook
Posts in The Copybook credited to ‘Sir Charles Villiers Stanford’
In The Copybook
Charles Villiers Stanford found it necessary to play dumb on a visit to snowy Leipzig.
Composer Sir Charles Villiers Stanford has been reminiscing about his time in Germany, and the devotees of ‘Mensur’, academic fencing. They were nothing if not courageous, taking a baffling pride in the scars; but they hung like a sword of Damocles over the heads of the merely careless, as Stanford discovered for himself on a visit to Leipzig in 1875.
When violinist Joseph Joachim proposed a toast to the world’s greatest composer, he was cut off in mid flow.
German composer Johannes Brahms was well-known for his mercurial attitude to praise. Up to a point he accepted it happily enough, but if ever it became oppressive he would do almost anything to escape it. Charles Villiers Stanford, professor of music at the Royal College of Music and at Cambridge University, was present on one of these occasions.
Composer Johannes Brahms disliked the adulation sometimes heaped on him by fans, and found quite imaginative ways to avoid it.
Composer Johannes Brahms liked his music to be appreciated, but if the eulogies became cloying his manner would undergo a marked change. His friend Charles Villiers Stanford tells us about one occasion when Brahms used all his ingenuity to escape a too-flattering fan.
Sir Charles Villiers Stanford recalls the very different receptions given by British and German audiences to a little bit of Brahms.
Britain’s position outside the European Continent, politically and physically, has in no way lessened her appetite for European culture. Indeed at the very height of Empire, so Sir Charles Stanford tells us, a little critical distance gave the British an appreciation (and a common courtesy, one might add) that the Continentals lacked.